How to Read Music for Tenor Saxophone in B

In the English-speaking world, notes are known past letters, with Do equal to C, and going upwards alphabetically to G from in that location, then starting over.
For case, when a tenor saxophone, a B♭ musical instrument, plays an F scale, it goes similar this.

i. Naturals

Notes that are neither sharp nor flat are called "natural." This table shows the names of notes in Frg, enpan, Italy, France, the UK, and the Us.

Germany	C	D	E	F	1000	A	H	C
Japan	Ha	Ni	Ho	He	To	I	Ro	Ha
Italy	Do	Re	Mi	Fa	Sol	La	Si	Do
France	Do(Ut)	Re	Mi	Fa	Sol	La	Si	Do(Ut)
Uk US	C	D	E	F	G	A	B	C

ii. Accidentals

Notes with signs indicating flats (♭), sharps (♯), or other changes, are called accidentals.

1) A sharp (♯) refers to a tone one half-step above a natural.

Deutschland	Cis	Dis	Eis	Fis	Gis	Ais	His	Cis
Nihon	Ei ha	Ei ni	Ei ho	Ei he	Ei to	Ei i	Ei ro	Ei ha
Italia	Exercise dieisis	Re dieisis	Mi dieisis	Fa dieisis	Sol dieisis	La dieisis	Si dieisis	Do dieisis
France	Do(Ut) diesis	Re diesis	Mi diesis	Fa diesis	Sol diesis	La diesis	Si diesis	Do diesis
UK US	C sharp	D sharp	E sharp	F sharp	G precipitous	A sharp	B sharp	C sharp

2) A apartment (♭) refers to a tone i half-step in a higher place a natural.

Germany	Ces	Des	Es	Fes	Ges	As	B	Ces
Japan	Hen ha	Hen ni	Hen ho	Hen he	Hen to	Hen i	Hen ro	Hen ha
Italy	Practice bemolle	Re bemolle	Mi bemolle	Fa bemolle	Sol bemolle	La bemolle	Si bemolle	Exercise bemolle
France	Practice(Ut) bemole	Re bemole	Mi bemole	Fa bemole	Sol bemole	La bemole	Si bemole	Do bemole
Great britain Usa	C apartment	D flat	Eastward apartment	F flat	G apartment	A flat	B flat	C flat

This covers the basic notes, but at that place are also double sharps (two half-steps up, indicated by ♯♯), and double flats (two one-half-steps downwards, indicated by ♭♭).

Playing an actual ("concert") F scale

An F scale is a calibration that begins at F. On a piano, an F major scale has 1 flat: F, Grand, A, B♭, C, D, E. When this same scale is played on a tenor saxophone, notwithstanding, what is actually played is this: G, A, B, C, D, Due east, F♯

Playing a tenor saxophone F scale

This can exist played with the normal saxophone fingerings: F, 1000, A, B♭, C, D, E

Saxophones essentially all take the same fingering, so those fingerings acquit over betwixt them.
When changing from an alto sax to a soprano sax, for instance, the alto has an E♭ tube, while the soprano has a B♭ tube, meaning that even when you play the aforementioned score, different sounds are produced. Unless the score itself has been changed beforehand, the role player must transpose the notes as they play. The mouthpieces are besides unlike betwixt instruments, and then it may take some time getting used to each one.

Because the saxophone is a transposing instrument, when changing from 1 instrument to another, such as from an alto to a tenor, playing the aforementioned score volition produce different bodily sounds. Transposing instruments produce sounds dissimilar from those in the score and those produced by not-transposing instruments (the pianoforte is the standard for actual or "concert" pitch).
Tenor saxophones are tuned to B♭, and alto saxophones are tuned to East♭, but when playing the aforementioned notation on a score, the fingerings are the same. When a C is played on a tenor saxophone, nevertheless, the actual pitch produced corresponds to a B♭ on a pianoforte, and in the example of an alto saxophone, playing a C actually produces an East♭.
What that means in practice is that to play a concert F major on a tenor saxophone, the player should play a G major on the score. For an F major on the alto saxophone, the player should play a D major on the score.
This system was originally conceived with the intention of making saxophone fingerings easier. When actually playing in a group, still, because it is more user-friendly to employ names for the notes that are common to everyone, the notes are referred to in terms of actual sounds (hence term concert pitch). In that location is no demand to exist overly concerned with the details of this process when first starting out. If you continue to exercise, playing from a score with both the written and bodily pitch on it, y'all are sure to get used to information technology soon.

In a score, there are a diverseness of situations in which you may run across C♭ or F♭. In modernistic musical notation, however, C♭ is really the same pitch equally B natural, and F♭ is actually the aforementioned pitch as Eastward natural. These sounds are known as enharmonic equivalents.
Technically speaking, there is a very slight difference between C♭ and B natural, but based on the current even tuning of intervals on the piano, the sound actually produced for each is the aforementioned.
In terms of fingering, B natural and East natural are the same as their enharmonic equivalents, merely because wind instruments allow for slight variations in intervals, players should be mindful of the fact that the interval may change slightly through the piece.

Tenor and soprano saxophones are in the key of B♭, only like clarinets. All three of these instruments produce a B♭ when playing a C on the score. That is why in club to produce the same C pitch equally keyed instruments or the flute (concert or "written" C), they must actually play a D. Because the D major key is a whole step above the C major central, it contains two sharps.
Since alto and baritone saxophones are in Eastward♭, (meaning they produce an E♭ when playing a written C), in guild to produce an bodily C, they must play an A, which is a perfect third down from C. In this example the central becomes A major, significant that there are iii sharps.
Sheet music for wind instruments are nigh e'er but parts of the score, and so information technology is arranged for the key of the instrument it is written for.

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Source: https://www.yamaha.com/en/musical_instrument_guide/saxophone/play/play003.html

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